As a wealthy Swedish family, he celebrates the birthday of his patriarch Alexander (Erland Josephson, cries and whispers). The family climbs into a state of psychological devastation that is excellently caused by the adorning palette of Tarkovsky by shining gray and washing the dark landscape around your home. (The masterful cinematography of the film comes from Sven Nikist, the long -time employee of Ingmar Bergman). For Alexander, the philosopher, who has worried about the lack of spirituality of man, the prospect of a certain disappearance forces the ultimate victim, and he closes a Faasting deal with God to save his loved ones from fear that attracts it. The recent film by the director, who was made of cancer during his dying, is the victim’s personal explanation of Tarkovsky, a deeply moving, redeeming tragedy that is pierced in unforgettable images and heartbreaking emotions.
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